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Notes from Undersound

by "Calvin, don't jump!"

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1.
Grasshoppin' 03:23
The muscles of the priest have evaporated beyond recognition the tired straining eyes have looked beyond my own position and with the dawning of the day, I wake up and reach up and look for my superstition found dead beneath the reeds among the thorns behind the gardens and the whistles so to all the people looking over all with glass sticking to their pores, I can't believe they think I'll go unheard today but the opiate has reached my brain and the grasshoppers are jumping again The people in their potholes look up to the world and see a blazing fire the psycho-analysts in the their boxes think the problem of mind will come and then expire the worms beneath the yard come up when it rains and they just look so tired so as I take off all my clothes and jump into the brush it turns my flesh to briars
2.
Baby Eden 03:23
the crying sounds across the pillars cracked and spilling past the tillers but the earth is turning slow on this Monday afternoon and the weeping slips past these earthbound creatures dicing birds and unborn features trapped all day inside their stagnant tombs and I'll never forget you I'll never commit you I'll never take back a single word the criminal is gathering at the races mothers putting infants in their cradles but the cries of babies are ringing in their ears and the taste of champagne from last night is bitter their fists are clenching tight the light of day never seems to hit their face and I'll never forget you I'll never forgive you I'll never justify one single drop the stillborn is sleeping int he box my stomach lining now composed of rocks the swelling lying criminal won't ever stop well I've still got a matchbook, light every one and a pack of cigarettes, I won't come to a retreated spirit world where children rise. and I'll never condone you I'll never dethrone you I'll never drift into sea again.
3.
Dissect You 03:16
You choose to wallow in a puddle this year you're dripping mud into the sea, my dear I want to know where you come from I'd like to see inside your skin You choose to model as a statue this year You're dripping mould into my soul, my dear I want to know where you come from I'd like to see inside your skin
4.
Funeral Song 03:29
When the day came for the giant vortex and I wrapped myself inside a little cranium and the feelings of the frozen geranium blossomed into a bulb and then wilted away when the woman gathered herself for the funeral she noticed a gripping sword in her side and then the belongings she held, well they just became her the lightening struck so hard, she threw her possessions down. so I feel a little queasy this morning so well I feel just a little perturbed I can't stand the sunlight so the clouds they protect me from the rolling penetration of the sun well the tears seems to flow so easily from the waiting room and the stillness I found quite elating for the hours continue they continue the forming the howling dogs yell for me to return
5.
It was a dark night and I held my eyes up shut so tight and the reason of my lips slowly parted and my grip was slightly askew for an instant there was silence on the street in my veins I felt the slightest, oh the slightest of retreats as the august rain poured on my head saw your silhouette on the mirror started wishing I was... my feet trembled as I walked in the door in the bathroom laid my body slowly on the floor and in the distance I heard my mother's yell with an illusion of utopia I clumsily fell pounding violently with my fists grabbed the pistol with a sudden feeling of bliss and as the tears rolled from my eyes I felt the rage, pulled the trigger and to my surprise the bullet had gone too high my dreams were shattered, clouds lifted and clear was the sky. It was such a dark night and I held my eyes up shut so tight and the reason of my lips, slowly parted and my grip was slightly askew.

about

'Notes from Undersound' was recorded in lower Haight S.F., while staying with John D'Azzo, a.k.a. Gianni Dazzle on the later's 4 track. All songs were written by J. Kirk Pleasant in the time leading up to Spring 1996.

credits

released June 16, 2023

J. Kirk Pleasant - vocals, guitars, bass, accordion, lap dulcimer, jaw harp, mic holder for drums
Gianni Dazzle - drums, slide whistle
Penny Burbank - cello on 'Baby Eden'
Anthony Petrovic - bass on 'Dissect You'
Page Dearman and Michel Boulware were voices on an answering machine.

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about

"Calvin, don't jump!" Gibsons, British Columbia

head over to pleasantmatthews.bandcamp.com to see the current project that Kirk is working on with Nathen Matthews, 'The Pleasant Matthews'. "Calvin, don't jump!" has been around a long time and these are a few of our releases.

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